The rebirth of monumental sculptures. Cathedrals portals were always noticing the second coming. The souls of the dead line up to await. The cult of relics was not new in the romanesque. The interior reveals a kinship with the three-story wooden- roofed churches of the ottonian era. The cast end of the church, in constant, has an innovative plan with an ambulatory around the choir and three semicircular chapels. Bernard of clairvaux on cloister sculpture.
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